Fred Aiken Writing

Category: Short Story

The Broken Radio Oracle

Daily writing prompt
How important is spirituality in your life?

It started with the radios. At least, that’s how I like to remember it, because beginnings are important, even in a world where causality is just a quaint suggestion. It was a Tuesday, or maybe a Thursday—it was definitely raining—and the static crackle of old AM radios began whispering secrets to me. You could call it a spiritual awakening, or just another misfire in the symphony of neural dissonance. I choose to call it Tuesday, as I imagine most people would, and I would consider myself very much to be, well, like most people.

The first message came from an antique Philco 90 I found in a thrift store. It was buried under a pile of dusty National Geographics, all smelling of mildew and forgotten plans to travel the world. I plugged it in out of sheer boredom, tuning it to a frequency that shouldn’t have existed. The voice was faint but insistent, a ghostly echo in the cacophony of my cluttered apartment.

“Do you seek enlightenment or escape?” it asked. The voice was neither male nor female, human nor machine. It was an existential hum, vibrating through the very bones of the universe.

“Both,” I replied, because who doesn’t? The Philco crackled approvingly, and I felt a shift in the air, like the world had nudged a little closer to an unseen truth.

From that day on, I became the reluctant disciple of broken radios. Each day, I scoured flea markets, garage sales, and abandoned buildings for my next oracle. I never knew where the messages would come from—a Zenith Trans-Oceanic, a Sony ICF, a Sangean PR-D5—but they always came, whispering fragments of wisdom, riddles wrapped in static.

“Spirituality is the art of losing yourself to find yourself,” one said. This came from a 1960s transistor radio, its once-bright plastic now faded and cracked.

“Faith is believing in the absence of reason,” intoned another, a voice that buzzed from a battered Grundig Satellit 2100.

People started to notice. My apartment, once a haven of organized chaos, became a shrine to these enigmatic devices. Friends, or what passed for them, would come by out of morbid curiosity. They’d ask if I’d gone mad, if I’d finally succumbed to the pressures of a reality that never quite fit. I’d just smile, knowing that they couldn’t hear the music in the static, the poetry in the noise.

“How important is spirituality in your life?” the radios would ask me. And each time, my answer changed.

“Today, it’s a whisper in the dark,” I’d say to a Motorola Golden Voice, its speakers rattling with ancient wisdom.

“Tomorrow, it’s the silence between thoughts,” I’d muse to a Panasonic RF-2200, the dials spinning like a roulette wheel of fate.

The voices never demanded worship, never promised salvation. They were guides, not gods, leading me through the labyrinth of my own mind. And in the process, I began to understand that spirituality wasn’t about rituals or dogmas. It was about connection—the kind that bridges the gap between the known and the unknown, the tangible and the ethereal.

One day, while rummaging through an old warehouse, I found an RCA Victor Special Model 50X. It was pristine, as if time had forgotten it. I took it home, heart pounding with the anticipation of a gambler placing his final bet. Plugging it in, I tuned to that impossible frequency, waiting for the familiar crackle.

“Are you ready?” it asked, and I knew this was no ordinary message.

“Ready for what?” I whispered, afraid of the answer.

“For the next step,” the radio replied, its voice softer, almost tender. “You’ve walked the path of the seeker. Now, it’s time to become the source.”

The static faded, leaving a profound silence in its wake. I looked around my apartment, at the rows of radios that had been my teachers, my companions. I understood, then, that the journey wasn’t about finding answers, but about becoming a question, an endless exploration of the self and the universe.

I unplugged the RCA Victor, and as I did, the other radios fell silent, one by one. They had taught me all they could. The rest was up to me.

Now, I wander the streets with a new purpose. I speak to strangers, not in the cryptic tones of the radios, but in simple, human words. I share the fragments of wisdom I’ve gathered, not as a prophet, but as a fellow traveler. And in their eyes, I see the same spark of curiosity, the same hunger for connection.

Spirituality, I’ve learned, is the dance between the signal and the noise, the interplay of presence and absence. It’s the art of tuning in, of listening to the spaces between the static. And as I walk this path, I carry the voices of a thousand broken radios within me, each one a note in the symphony playing out. Yet still on the verge of being unplugged.

Physical Graffiti

Daily writing prompt
Write about your first crush.

I told her I liked *NSYNC, but she knew I was lying. Vanessa had this way of seeing through the thin veils people tried to wrap around themselves. It was late spring, and the cicadas were tuning up for their summer symphony, filling the sticky air with their song. We sat on the front porch of my grandparents’ old house, the wooden planks creaking beneath our weight.

Vanessa was my neighbor, two years older and infinitely wiser. She had this cool, detached way about her, like she’d seen everything and judged it all to be mildly amusing at best. Her hair was a tangle of dark curls, always just a little wild, and her eyes were a sharp, piercing blue that seemed to notice everything.

“So, if you don’t like *NSYNC,” she said, smirking as she twisted a lock of hair around her finger, “what do you like?”

I shrugged, trying to play it cool. “I don’t know. A bit of everything, I guess.”

“Uh-huh,” she replied, clearly unimpressed. “You don’t strike me as a boy-band kind of guy.”

She was right, of course. I had a secret stash of old rock CDs I’d borrowed from my dad, a collection of Led Zeppelin, Pink Floyd, and The Doors that I played late at night with the volume turned low. I even had a collection of Jim Morrison’s poems. But I wasn’t about to tell her that.

She leaned back, looking up at the sky. “You know, you don’t have to pretend with me. I’m not like the other girls at school.”

“I know,” I said, and I did know. Vanessa was different, and that was part of why I liked her so much. She was the kind of girl who read thick books in the back of the library and listened to music on vinyl because it sounded better. She was the kind of girl who made you want to be more interesting, more honest.

“So, what are you really into?” she asked again, and this time her voice was softer, more genuine.

I took a deep breath, deciding to take a leap. “Music, mostly. The old stuff. Classic rock.”

Her eyes lit up. “Really? Like what?”

“Led Zeppelin, mostly,” I admitted. “But I like a lot of different bands.”

She smiled, and it was like the sun breaking through clouds. “Now we’re talking. Have you ever heard Physical Graffiti on vinyl? It’s like a whole different experience.”

I shook my head. “I’ve only got CDs.”

“Well,” she said, standing up and brushing off her jeans, “come on, then. My dad’s got a record player. Let’s see if we can find some Zeppelin.”

I followed her across the yard to her house, feeling like I was about to step into another world. Inside, her house was cool and dim, the air filled with the scent of old books and something spicy I couldn’t quite place. She led me to the living room, where a vintage turntable sat atop a wooden cabinet.

“Here we go,” she said, flipping through a stack of records. “Found it.” She pulled out a well-worn copy of Physical Graffiti, the cover frayed at the edges but still vibrant.

She placed the record on the turntable with the care of someone handling a rare artifact. The needle dropped, and the room filled with the opening chords of “Custard Pie.” Vanessa flopped down on the couch and patted the spot next to her. I sat, feeling the music wash over me, richer and deeper than I’d ever heard it before.

“This is amazing,” I said, more to myself than to her.

She nodded, eyes closed, lost in the music. “Told you. There’s just something about vinyl.”

I didn’t know enough to know that she was full of it. And even if I did, I wouldn’t have said a word.

We sat there for what felt like hours, listening to the album from start to finish. It was like discovering a new world, one where everything was sharper, more intense. Vanessa didn’t say much, but she didn’t need to. Her presence was enough, a silent confirmation that this moment mattered.

As the final notes of “Sick Again” faded into silence, she turned to me, her eyes serious. “Thanks for being honest with me.”

I shrugged, trying to downplay the significance of it. “No big deal.”

But it was a big deal. It felt like opening a door I hadn’t even known was there, stepping into a place where I could be myself without fear of judgment. Vanessa had given me that, and in return, I’d given her my trust.

We spent the rest of the summer like that, sharing music and secrets, slowly unraveling the layers of who we were. I never told her how I felt—how could I, when she seemed so far out of reach? But in those quiet moments, with the music spinning and the cicadas singing outside, it felt like she understood anyway.

Years later, I would look back on that summer as the one that changed everything. It was the summer I learned to be honest, the summer I discovered the power of music, the summer I fell for a girl who saw right through me. And even though Vanessa eventually moved away, the lessons she taught me stayed.

I still listen to Physical Graffiti, but mostly on Spotify, or whenever I can find the CD that seems to magically transport all over my car. And every time, I think of Vanessa, and the summer we spent spinning wheels and spinning records, learning to see the world—and ourselves—a little more clearly.

Fair Ground

Jake considered himself an enigma wrapped in a four-leaf clover, drifting from one passion to another like the rain in the wind. But there was one thing he held dear, a secret love that he shared with few: the Renaissance Fair. It was a world away from the humdrum of everyday life, a place where he could be anyone, or no one at all. 

When his sister’s boy, Leo, came to live with him, Jake saw the shadow of loss hanging over the kid like a constant companion. Ten years old and already carrying more weight than most adults. Jake knew he needed to do something, anything, to bring a spark back to Leo’s eyes.

One crisp Saturday morning, they set out in Jake’s battered old truck, the kind that rattled and groaned with each mile. Leo sat quietly, staring out the window, his small face set in a contemplative frown. Jake didn’t push him to talk; he just drove, letting the open road and the promise of adventure do the work.

The fairground appeared like a mirage in the middle of nowhere—tents billowing in the breeze, flags fluttering, and the distant sound of laughter and music. Leo’s eyes widened a fraction, a glimmer of curiosity breaking through his stoic mask.

“Ever been to one of these?” Jake asked, trying to sound casual.

Leo shook his head, but there was a hint of intrigue now. They parked and made their way in, greeted by knights in armor, jesters juggling, and the sweet, smoky scent of roasted turkey legs wafting through the air.

Jake bought them both wooden swords at the first stall they passed. “Every knight needs a weapon,” he said, handing one to Leo. The boy took it, turning it over in his hands, a small smile tugging at the corners of his mouth. “Careful now,” Jake warned, “you don’t wanna poke your eye out.”

They wandered through the fair, Jake pointing out the different crafts, the blacksmith hammering away at molten iron, the weavers creating intricate tapestries. Leo listened, absorbed, the fair’s magic working its way into his heart.

At the jousting arena, they found seats on a rickety wooden bench. The knights charged at each other, lances clashing, and the crowd erupted in cheers. Jake stole a glance at Leo, who was leaning forward, eyes bright with excitement.

“You know,” Jake said, nudging him gently, “your dad loved this stuff. Used to talk about coming here with you one day.”

Leo’s smile faltered for a moment, then grew more determined. “Really?”

“Really,” Jake affirmed. “He’d want you to have fun, to be happy.”

They spent the rest of the day immersed in the fair’s wonders. They watched a falconry show, tried their hand at archery, and even joined a drum circle, the rhythmic beats echoing in their chests. For the first time in a long while, Jake saw Leo laugh—a real, genuine laugh that seemed to lift the weight from his small shoulders, if only for a moment.

As the sun began to set, casting a golden hue over the fairground, they sat on a hillside overlooking the scene. Leo leaned against Jake, exhausted but content.

“Thanks Uncle Jake,” Leo said quietly, his voice barely a whisper.

Jake felt a lump in his throat but managed a smile. “No problem, brave knight,” he replied, ruffling Leo’s hair.

They watched as the fair’s lights began to twinkle in the dusk, a magical world glowing softly against the encroaching night. For the first time, Jake felt like they were both on a path to healing, however winding it might be.

The journey home was quiet, Leo dozing in the passenger seat, clutching his wooden sword. Jake drove steadily, the road ahead clear and open. He didn’t have all the answers, but he had this day, this small victory. And sometimes, he thought, that’s enough.